William Saroyan in the 1970s | |
Born | August 31, 1908 Fresno, California, U.S. |
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Died | May 18, 1981 (aged 72) Fresno, California, U.S. |
Resting place | Ararat Cemetery, Fresno[1] Komitas Pantheon, Yerevan, Armenia |
Occupation | Novelist, playwright, short story writer |
Nationality | Armenian American |
Period | 1934–1980 |
Notable works | The Armenian and the Armenian (1935) My Heart's in the Highlands (1939) The Time of Your Life (1939) My Name Is Aram (1940) The Human Comedy (1943) |
Notable awards | Pulitzer Prize for Drama (1940) Academy Award for Best Story (1943) |
Spouse | Carol Grace (1943–49, 1951–52) |
Children | Aram Saroyan (b. 1943) Lucy Saroyan (1946–2003) |
Relatives | Ross Bagdasarian Sr. (cousin) |
Signature |
William Saroyan[2] (/səˈrɔɪən/; August 31, 1908 – May 18, 1981) was an Armenian-American novelist, playwright, and short story writer. He was awarded the Pulitzer Prize for Drama in 1940, and in 1943 won the Academy Award for Best Story for the film adaptation of his novel The Human Comedy.
Saroyan wrote extensively about the Armenian immigrant life in California. Many of his stories and plays are set in his native Fresno.[3] Some of his best-known works are The Time of Your Life, My Name Is Aram and My Heart's in the Highlands.
He has been described in a Dickinson College news release as 'one of the most prominent literary figures of the mid-20th century'[4] and by Stephen Fry as 'one of the most underrated writers of the [20th] century.' Fry suggests that 'he takes his place naturally alongside Hemingway, Steinbeck and Faulkner.'[5]
- 1Biography
- 4Bibliography
Biography[edit]
Saroyan as a youth
Early years[edit]
William Saroyan was born on August 31, 1908 in Fresno, California, to Armenak and Takuhi Saroyan, Armenian immigrants from Bitlis, Ottoman Empire. His father came to New York in 1905 and started preaching in Armenian Apostolic churches.[6]
At the age of three, after his father's death, Saroyan, along with his brother and sister, was placed in an orphanage in Oakland, California. He later went on to describe his experience in the orphanage in his writings. Virtual usb drive mac. Five years later, the family reunited in Fresno, where his mother, Takuhi, had already secured work at a cannery. He continued his education on his own, supporting himself with jobs, such as working as an office manager for the San Francisco Telegraph Company.
Saroyan decided to become a writer after his mother showed him some of his father's writings. A few of his early short articles were published in Overland Monthly. His first stories appeared in the 1930s. Among these was 'The Broken Wheel', written under the name Sirak Goryan and published in the Armenian journal Hairenik in 1933. Many of Saroyan's stories were based on his childhood experiences among the Armenian-American fruit growers of the San Joaquin Valley or dealt with the rootlessness of the immigrant. The short story collection My Name is Aram (1940), an international bestseller, was about a young boy and the colorful characters of his immigrant family. It has been translated into many languages.
Career[edit]
As a writer, Saroyan made his breakthrough in Story magazine with 'The Daring Young Man on the Flying Trapeze' (1934), the title taken from the nineteenth-century song of the same title. The protagonist is a young, starving writer who tries to survive in a Depression-ridden society.
Through the air on the flying trapeze, his mind hummed. Amusing it was, astoundingly funny. A trapeze to God, or to nothing, a flying trapeze to some sort of eternity; he prayed objectively for strength to make the flight with grace.
This character resembles the penniless writer in Knut Hamsun's 1890 novel Hunger, but lacks the anger and nihilism of Hamsun's narrator. The story was republished in a collection whose royalties enabled Saroyan to travel to Europe and Armenia, where he learned to love the taste of Russian cigarettes, once observing, 'you may tend to get cancer from the thing that makes you want to smoke so much, not from the smoking itself.' (from Not Dying, 1963)
Saroyan served in the US Army during World War II. He was stationed in Astoria, Queens, spending much of his time at the Lombardy Hotel in Manhattan, far from Army personnel. In 1942, he was posted to London as part of a film unit. He narrowly avoided a court martial when his novel, The Adventures of Wesley Jackson, was seen as advocating pacifism.
Saroyan worked rapidly, hardly editing his text, and drinking and gambling away much of his earnings. From 1958 on, he mainly resided in a Paris apartment.
I am an estranged man, said the liar: estranged from myself, from my family, my fellow man, my country, my world, my time, and my culture. I am not estranged from God, although I am a disbeliever in everything about God excepting God indefinable, inside all and careless of all.
— from Here Comes There Goes You Know Who, 1961
Saroyan published essays and memoirs, in which he depicted the people he had met on travels in the Soviet Union and Europe, such as the playwright George Bernard Shaw, the Finnish composer Jean Sibelius, and Charlie Chaplin. In 1952, Saroyan published The Bicycle Rider in Beverly Hills, the first of several volumes of memoirs.
Saroyan in 1940
Saroyan's stories celebrated optimism in the midst of the trials and tribulations of the Depression. Several of Saroyan's works were drawn from his own experiences, although his approach to autobiographical fact contained a fair bit of poetic license.
His advice to a young writer was: 'Try to learn to breathe deeply; really to taste food when you eat, and when you sleep really to sleep. Try as much as possible to be wholly alive with all your might, and when you laugh, laugh like hell.' Saroyan endeavored to create a prose style full of zest for life and seemingly impressionistic, that came to be called 'Saroyanesque'.
Saroyan's plays were drawn from deeply personal sources, and often disregarded the convention that conflict is essential to drama. My Heart's in the Highlands (1939), his first play, was a comedy about a young boy and his Armenian family. It was produced at the Guild Theatre in New York.
Saroyan is probably best remembered for his play The Time of Your Life (1939), set in a waterfront saloon in San Francisco. It won a Pulitzer Prize, which Saroyan refused on the grounds that commerce should not judge the arts; he did accept the New York Drama Critics' Circle award. The play was adapted into a 1948 film starring James Cagney.
Before the war, Saroyan worked on the screenplay of Golden Boy (1939), based on Clifford Odets's play, but he never had much success in Hollywood and after his disappointment with the Human Comedy film project, he never permitted any Hollywood screen adaptation of any of his novels regardless of his financial straits.
The Human Comedy (1943) is set in the fictional California town of Ithaca in the San Joaquin Valley (based on Saroyan's memories of Fresno, California), where young telegraph messenger Homer bears witness to the sorrows and joys of life during World War II.
'Mrs. Sandoval,' Homer said swiftly, 'your son is dead. Maybe it's a mistake. Maybe it wasn't your son. Maybe it was somebody else. The telegram says it was Juan Domingo. But maybe the telegram is wrong ..
— from The Human Comedy
Saroyan was hired to write the screenplay and direct the film for MGM. When Louis B. Mayer balked at its length, Saroyan would not compromise and was removed from the project. He then turned the script into a novel, publishing it just prior to the film's release. He won the 1943 Academy Award for Best Story for the film. The novel is often credited as the source for the movie when in fact the reverse is true. The novel is the basis for a 1983 musical of the same name.
Autographed portrait of Saroyan
Interest in Saroyan's novels declined after the war, when he was criticized for sentimentality. Freedom, brotherly love, and universal benevolence were for him basic values, but his idealism was considered out of step with the times. He still wrote prolifically, so that one of his readers could ask 'How could you write so much good stuff and still write such bad stuff?'
In the novellas The Assyrian and other stories (1950) and in The Laughing Matter (1953) Saroyan mixed allegorical elements within a realistic novel. The plays Sam Ego's House (1949) and The Slaughter of the Innocents (1958) were not as successful as his prewar plays. Many of Saroyan's later plays, such as The Paris Comedy (1960), The London Comedy (1960), and Settled Out of Court (1969), premiered in Europe. Manuscripts of a number of unperformed plays are now at Stanford University with his other papers.
When Ernest Hemingway learned that Saroyan had made fun of the controversial non-fiction work Death in the Afternoon, Hemingway responded: 'We've seen them come and go. Good ones too. Better ones than you, Mr. Saroyan.'
In the late 1960s and the 1970s, Saroyan earned more money and finally got out of debt.
Saroyan also painted.[7] He said: 'I made drawings before I learned how to write. The impulse to do so seems basic – it is both the invention and the use of language.'[8] His abstract expressionist works were exhibited by the Anita Shapolsky Gallery in New York City.[7][9][10][11][12]
In 1979, William Saroyan was inducted into the American Theater Hall of Fame.[13] The famous Indian educational board CBSE has added a chapter of his in the book 'Snapshots' named 'The Summer or a white beautiful horse' in his honour.
Personal life[edit]
Statue of William Saroyan in Yerevan, Armenia
Saroyan had a correspondence with writer Sanora Babb that began in 1932 and ended in 1941, that grew into an unrequited love affair on Saroyan's part.[14]
In 1943, Saroyan married actress Carol Marcus (1924–2003; also known as Carol Grace), with whom he had two children, Aram, who became an author and published a book about his father, and Lucy, who became an actress.[15] By the late 1940s, Saroyan's drinking and gambling took a toll on his marriage, and in 1949, upon returning from an extended European trip, he filed for divorce. They were remarried briefly in 1951 and divorced again in 1952 with Marcus later claiming in her autobiography, Among the Porcupines: A Memoir,[16][17] that Saroyan was abusive.
Carol subsequently married actor Walter Matthau.
Saroyan died in Fresno, of prostate cancer at the age of 72. Half of his ashes were buried in California and the remainder in Armenia at the Komitas Pantheon near fellow artists such as composer Aram Khachaturian, painter Martiros Saryan, and film director Sergei Parajanov.[18]
Awards[edit]
The 2013 Parajanov-Vartanov Institute Award posthumously honored Saroyan for the play The Time of Your Life and the novel Human Comedy. It was presented to his granddaughter by Academy Award-winning Hollywood actor Jon Voight.[19][20][21]
William Saroyan House Museum[edit]
The William Saroyan House Museum opened on August 31, 2018 in Fresno, California, in the house where Saroyan lived the last 17 years of his life.[22] The house presents photographs from different periods of his life, drawings, and covers of his books. The museum has a separate room which features a hologram of the writer.[23]
Bibliography[edit]
William Saroyan's tomb at Yerevan's Komitas Pantheon Books[edit]
Plays[edit]
|
Short stories[edit]
- '1,2,3,4,5,6,7,8'
- 'An Ornery Kind of Kid'
- 'The Filipino and the Drunkard'
- 'Gaston' (date unknown)
- 'The Hummingbird That Lived Through Winter'
- 'Knife-Like, Flower-Like, Like Nothing At All in the World' (1942)
- 'The Mourner'
- 'The Parsley Garden'
- 'Resurrection of a Life' (1935)
- The Summer of the Beautiful White Horse (1938)
- 'Seventy Thousand Assyrians' (1934)
- 'The Shepherd's Daughter'
- 'Sweetheart Sweetheart Sweetheart'
- 'Third day after Christmas' (1926)
- 'Five Ripe Pears' (1935)
- 'Pomegranate Trees' (year unknown)
- 'Seventeen' (written during the Great Depression, in the collection of The Daring Young Man on the Flying Trapeze and Other Stories
- 'The Barber´s Uncle'
Poem[edit]
- 'Me' (The Saturday Evening Post, March 9, 1963, illustrated by Murray Tinkelman)[26]
Song[edit]
- 'Come On-a My House', a hit for Rosemary Clooney, based on an Armenian folk song, written with his cousin, Ross Bagdasarian, later the impresario of Alvin and the Chipmunks.[27]
References[edit]
- Specific
- ^'Relative to William Saroyan Year'. Official California Legislative Information. March 13, 2008. Retrieved February 2, 2014.
Half of his ashes were buried in the Ararat Cemetery in Fresno and the remaining was interred in Yerevan, Armenia
- ^Armenian: Վիլեամ Սարոյեան in classical orthography and Վիլյամ Սարոյան in reformed orthography
- ^'William Saroyan Is Dead At 72; Wrote 'The Time of Your Life''. The New York Times. May 19, 1981. Retrieved February 1, 2014.
- ^'One-Man Show Tells Pulitzer-Prize Winning Author's Story'. Dickinson College. September 2, 2001. Retrieved December 26, 2013.
- ^13th Annual Beverly Hills Film Festival Announces Award Winners at Gala Awards Ceremony. May 12, 2013. Retrieved May 3, 2017
- ^Hamalian 1987, p. 23.
- ^ ab'William Saroyan'. Anita Shapolsky Gallery NYC.
- ^Carl Nolte (September 4, 2008). 'S.F. gathering celebrates Saroyan's centennial; Living, working and carousing in San Francisco, Fresno-born author chronicled the human comedy'. SFGate.
- ^'The Expressive Edge of Paper'. The Huffington Post.
- ^In Celebration of the Exhibition, The Writer as Artist: Lawrence Ferlinghetti and William Saroyan. Anita Shapolsky Gallery, National Arts Club (New York, N.Y.).
- ^'The Writer's Brush; September 11th – October 27th, 2007'. Anita Shapolsky Gallery NYC. Archived from the original on February 1, 2015.
- ^'Volume 19, Issues 6–8'. Art & Auction Magazine. 1997.
- ^'Theater Hall of Fame Enshrines 51 Artists'(PDF). www.nytimes.com.
- ^Balakian, Nona (1998). The World of William Saroyan (2. print. ed.). Lewisburg, [Pa.]: Bucknell University Press. pp. 273–275. ISBN978-0-8387-5368-2.
I have never stopped thinking of you as somebody rare and extraordinary and fine and wonderful and truly beautiful.
- ^Saroyan, Aram (1982). Last Rites: The Death of William Saroyan (First ed.). New York: William Morrow & Co. ISBN978-0-688-01262-5.
- ^Matthau, Carol (1992). Among the Porcupines: A Memoir (First ed.). New York: Turtle Bay Books. ISBN0-394-58266-7.
- ^Alex Witchel (July 19, 1992). 'The Real Holly Golightly'. The New York Times. Retrieved December 15, 2008.
- ^'saroyan'. February 9, 2017.
- ^'Parajanov-Vartanov Institute - Official site'. Parajanov-Vartanov Institute. Archived from the original on April 24, 2015.
- ^'DOC LA — Los Angeles Documentary Film Festival — Hollywood'. DOC LA — Los Angeles Documentary Film Festival — Hollywood.
- ^'Parajanov-Vartanov Institute Awards (2013)'.
- ^https://www.fresnobee.com/news/local/article217684680.html
- ^https://kmph.com/great-day/the-daily-de-la-vega/jim-previews-the-william-saroyan-house-museum
- ^'Me: A Modern Masters Book For Children: William Saroyan, Murray Tinkelman: Amazon.com: Books'. amazon.com.
- ^Saroyan, William (1940). Love's Old Sweet Song: A Play in Three Acts. Samuel French. p. 72. Retrieved July 15, 2017.
- ^'Catalog of Copyright Entries. Third Series'. google.com.
- ^Severo, Richard (August 2, 2010). 'Mitch Miller, Maestro of the Singalong, Dies at 99' – via NYTimes.com.
- General
- Hamalian, Leo (1987). William Saroyan: the man and the writer remembered. Rutherford, New Jersey: Fairleigh Dickinson University Press. ISBN9780838633083.
- Saroyan: His Heart In The Highlands (2008)
Further reading[edit]
- Balakian, N., 1998. The World of William Saroyan.
- Floan, H. R., 1966. William Saroyan.
- Foster, E. H., 1984. William Saroyan.
- Foster, E. H., 1991. William Saroyan: A Study in the Shorter Fiction.
- Gifford, Barry, and Lee, Lawrence, 1984. Saroyan.
- Hamalian, Leo, ed. (1987). William Saroyan: The Man and the Writer Remembered. Fairleigh Dickinson University Press. ISBN9780838633083.
- Keyishan, H., 1995. Critical Essays in William Saroyan.
- Leggett, John, 2002. A Daring Young Man: A Biography of William Saroyan.
- Linde, Mauricio D. Aguilera, 2002, 'Saroyan and the Dream of Success: The American Vaudeville as a Political Weapon,' 11.1 (Winter): 18–31.
- Linde, Mauricio D. 2016. 'Saroyan’s Travel Memories: Contesting National Identities for Armenian-Americans'. Zeitschrift für Anglistik und Amerikanistik.A Quarterly of Language, Literature and Culture.64(4), pp. 415–429.
- Radavich, David. 'War of the Wests: Saroyan's Dramatic Landscape.' American Drama 9:2 (Spring 2000): 29–49.
- Samuelian, Varaz, 1985. Willie & Varaz: Memories of My Friend William Saroyan.
- Whitmore, Jon, 1995. William Saroyan.
- Hunter, Pat; Stevens, Janice (2008). William Saroyan: Places in Time. Fresno: Craven Street Books. ISBN9781933502243.
External links[edit]
Wikiquote has quotations related to: William Saroyan |
Wikimedia Commons has media related to William Saroyan. |
- William Saroyan at the Internet Broadway Database
- William Saroyan on IMDb
- Petri Liukkonen. 'William Saroyan'. Books and Writers
- William Saroyan article on Armeniapedia.org.
- William Saroyan at Parajanov.com I Saw The Mighty Armenia
- Website of the documentary film William Saroyan : The Man, The Writer, by Paul and Susie Kalinian
Retrieved from 'https://en.wikipedia.org/w/index.php?title=William_Saroyan&oldid=905139049'
(Redirected from Hello Out There)
Hello Out There! | |
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Written by | William Saroyan |
Date premiered | September 10, 1941 |
Place premiered | Lobero Theatre in Santa Barbara, California |
Original language | English |
Genre | one-act play |
Setting | A small jail in Texas |
Hello Out There! is a one-act play by the Armenian-American playwright William Saroyan written early in August 1941.
Plot[edit]
The play is set in a small Texas jail. There are two major characters, Photo-Finish and Emily, whom Saroyan refers to simply as 'A Young Man' and 'A Girl'. Photo-Finish is a down on his luck gambler and ends up in jail in a hole-in-the-wall town as a result of a married harlot crying rape when he refused to pay her after coming over to her house.
There he meets Emily, an unhappy cook. When they meet, it is love at first sight. Emily and Photo-Finish fall in love and make plans to go to San Francisco, but their plans are crushed when the men looking for Photo-Finish find him, and kill him.
Production history[edit]
The play was first performed in 1941 at the Lobero Theatre in Santa Barbara, California as the curtain raiser to a revival of George Bernard Shaw's The Devil's Disciple, and was first performed on Broadway in 1942. The Broadway production starred Eddie Dowling and Julie Haydon. Al Pacino played the Young Man in a performance in 1963 that marked his first appearance on stage in New York City.
Film adaptation[edit]
William Saroyan My Name Is Aram
In 1950, the play was adapted into a short film, directed by James Whale and produced by millionaire Huntington Hartford. It starred Harry Morgan, Marjorie Steele (Hartford's then-wife), Lee Patrick, and Ray Teal. The film, intended to be one episode in an anthology film in the style of similar films such as W. Somerset Maugham's Quartet (1948), was never released. Hello Out There was Whale's last film.
Opera[edit]
In 1953, composer Jack Beeson composed a one-act chamber opera based on the play.
Hello Out There Does Anybody Want A Wife
External links[edit]
- Hello Out There! at the Internet Broadway Database
- Hello Out There on IMDb
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Hello_Out_There!&oldid=895031003'
Bibliography: page
Includes index
Preface for students -- Preface for teachers -- What makes a poem a poem? -- The sources of poetry -- The language of poetry -- Images -- The sound of words -- Rhythms of stress -- Rhythms of free verse -- Tone -- From units to unity -- Developing as a poet -- Poems for study -- The scope of fiction -- The sources of fiction -- A story by Stephen Minot : Sausage and beer -- Structure : from scenes to plot -- A story by Bobbie Ann Mason : Graveyard day -- Viewpoint : strategies of presentation -- A story by Elizabeth Parsons : The nightingales sing -- Characterization -- A story by Robert Fox : A fable -- Narrative tension -- Orientation : place and time -- Literary concerns : theme, tone, symbol, and style -- Developing as a writer of fiction -- Theater : a live performance -- A play by William Saroyan : Hello out there -- The dramatic plot -- Conflict -- A play by Edward Albee : The sandbox -- Dramatic characterization -- Realistic and nonrealistic approaches -- Visual impact -- Dramatic themes -- Writing for film -- A film script : Asylum -- Developing as a playwright -- Appendices. Submission of material for publication -- Resources for writers -- Glossary-index
Three Genres, now in a fully revised fourth edition, is still the only book to deal with the writing of poetry, fiction, and drama. Author Stephen Minot, drawing on his 24 years of college teaching and his work as a free-lance writer, presents each genre in a straightforward, nontechnical manner and shows how and where to begin writing in that genre, emphasizing creative expression and the development of personal style. - Back cover
Includes index
Preface for students -- Preface for teachers -- What makes a poem a poem? -- The sources of poetry -- The language of poetry -- Images -- The sound of words -- Rhythms of stress -- Rhythms of free verse -- Tone -- From units to unity -- Developing as a poet -- Poems for study -- The scope of fiction -- The sources of fiction -- A story by Stephen Minot : Sausage and beer -- Structure : from scenes to plot -- A story by Bobbie Ann Mason : Graveyard day -- Viewpoint : strategies of presentation -- A story by Elizabeth Parsons : The nightingales sing -- Characterization -- A story by Robert Fox : A fable -- Narrative tension -- Orientation : place and time -- Literary concerns : theme, tone, symbol, and style -- Developing as a writer of fiction -- Theater : a live performance -- A play by William Saroyan : Hello out there -- The dramatic plot -- Conflict -- A play by Edward Albee : The sandbox -- Dramatic characterization -- Realistic and nonrealistic approaches -- Visual impact -- Dramatic themes -- Writing for film -- A film script : Asylum -- Developing as a playwright -- Appendices. Submission of material for publication -- Resources for writers -- Glossary-index
Three Genres, now in a fully revised fourth edition, is still the only book to deal with the writing of poetry, fiction, and drama. Author Stephen Minot, drawing on his 24 years of college teaching and his work as a free-lance writer, presents each genre in a straightforward, nontechnical manner and shows how and where to begin writing in that genre, emphasizing creative expression and the development of personal style. - Back cover